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“That was the height of disco, you couldn’t not hear it. I went to the Paradise Garage a couple of times. Actually, we played as the Contortions once, we did a show with Richard Hell, Contortions, and Teenage Jesus. We had this huge confrontation with the owners. They didn’t want to pay us because no one showed up. They brought all these menacing black muscle bouncer guys, and at one point they were closing in on me. So I broke a beer bottle and slashed my face with it cuz I wanted them to think I was so crazy that they would leave me alone. Which they did. A lot of rock people had a knee-jerk hatred of disco, which I never really shared. There were things I liked about it, although there was a lot that I hated too. It was so bleached out and whitened, but I could see that it was taking the real funk rhythms and really straightening them out, submitting them to this tyrannical beat. I liked the idea of this hypnotic music that would literally put people into a trance. I thought that was cool.”
- James Chance
“I never heard anything avant-garde. To me it was just New York City Blues.”
- Alan Vega

“Yes, the urge to let our imagination run riot, and the need to dance to twisted sounds remains. The Mutant Disco, the haunted dancehall will never close down.”
- Kevin Pearce, liner notes for Mutant Disco






“That was the height of disco, you couldn’t not hear it. I went to the Paradise Garage a couple of times. Actually, we played as the Contortions once, we did a show with Richard Hell, Contortions, and Teenage Jesus. We had this huge confrontation with the owners. They didn’t want to pay us because no one showed up. They brought all these menacing black muscle bouncer guys, and at one point they were closing in on me. So I broke a beer bottle and slashed my face with it cuz I wanted them to think I was so crazy that they would leave me alone. Which they did. A lot of rock people had a knee-jerk hatred of disco, which I never really shared. There were things I liked about it, although there was a lot that I hated too. It was so bleached out and whitened, but I could see that it was taking the real funk rhythms and really straightening them out, submitting them to this tyrannical beat. I liked the idea of this hypnotic music that would literally put people into a trance. I thought that was cool.”